Who Doesnt Die Underground Railroad Book? (Solution)

What is the summary of the book The Underground Railroad?

  • Book Summary. The Underground Railroad covers five primary periods in the life of Cora: When Cora’s mother, Mabel, runs away, Cora becomes a young outcast among the slaves of the Randall plantation.

Does Cora survive in the Underground Railroad?

The start of the premiere saw Cora falling down a tunnel with someone below her. We get to that moment in Episode 9, with Ridgeway the one who is falling beneath her. Ridgeway cushions Cora’s fall, allowing her to survive and eventually shoot him.

Who survived the Underground Railroad?

The Underground Railroad had many notable participants, including John Fairfield in Ohio, the son of a slaveholding family, who made many daring rescues, Levi Coffin, a Quaker who assisted more than 3,000 slaves, and Harriet Tubman, who made 19 trips into the South and escorted over 300 slaves to freedom.

Does Ridgeway die in the Underground Railroad?

Ridgway is more honest about the reality of America than many other white characters in the novel, refusing to uphold myths about the country and its history. He is obsessed by his failure to capture Mabel and Cora, and he ends up being killed by Cora in Indiana in a final physical battle that resembles a dance.

Does Caesar survive in the Underground Railroad?

While the show doesn’t show us what happens after their encounter, Caesar comes to Cora in a dream later, confirming to viewers that he was killed. In the novel, Caesar faces a similar fate of being killed following his capture, though instead of Ridgeway and Homer, he is killed by an angry mob.

What happened to Grace on the Underground Railroad?

In the book, Cora is alone up there for seven months. In the show, she has a younger runaway slave named Grace to “guide” her. She doesn’t appear in the book and for three whole episodes of The Underground Railroad, we are led believe she died in the flames that consumed the Wells house.

What happened to Polly and the Twins Underground Railroad?

Jenkins’ show gives Mabel’s friend Polly a bigger role in Mabel’s flight. In the book, Polly dies by suicide after her baby is stillborn.

Who is the most famous person in the Underground Railroad?

HARRIET TUBMAN – The Best-Known Figure in UGR History Harriet Tubman is perhaps the best-known figure related to the underground railroad. She made by some accounts 19 or more rescue trips to the south and helped more than 300 people escape slavery.

Who started Juneteenth?

In 1945, Juneteenth was introduced in San Francisco by a migrant from Texas, Wesley Johnson. During the 1950s and 1960s, the Civil Rights Movement focused the attention of African Americans on expanding freedom and integrating.

What did Frederick Douglass do?

Frederick Douglass was an escaped slave who became a prominent activist, author and public speaker. He became a leader in the abolitionist movement, which sought to end the practice of slavery, before and during the Civil War.

Who is the little boy with Ridgeway?

Homer is a young black boy who is part of Ridgeway’s gang. Ridgeway purchased him for $5 before buying his freedom, but Homer still chooses to stay with Ridgeway and even voluntarily chains himself to Ridgeway’s wagon at night.

Why does Homer help Ridgeway?

As a Back child, Homer had few prospects, even as a freedman. He would have had to prove that all the time, and there was always going to be a fight to get food and find shelter. It made more sense for this 10-year-old boy to remain with someone who could feed and clothe him. Ridgeway offered that.

Who is Homer to Ridgeway?

Homer is a small black boy about 10 years old, who Ridgeway bought as a slave and freed fourteen hours later. Homer refused to leave Ridgeway despite being freed, and he works alongside the slave catcher, chaining himself to their wagon each night before he falls asleep.

What happened to Lovey in the Underground Railroad?

She secretly decides to join Cora and Caesar’s escape mission but she is captured early in the journey by hog hunters who return her to Randall, where she is killed by being impaled by a metal spike, her body left on display to discourage others who think of trying to escape.

The Biggest Differences Between The Underground Railroad and the Book It’s Based On

Slate provided the photo illustration. Kyle Kaplan/Amazon Studios provided the image. The Underground Railroad, a Barry Jenkins’ adaptation of the 2016 novel by Colson Whitehead, will be available on Amazon Prime Video on Friday, according to the company. Abolitionist author Colson Whitehead’s Pulitzer Prize and National Book Award–winning novel follows Cora, a former enslaved woman who flees from a plantation in Georgia and makes her way north using an actual underground railroad system complete with underground tunnels and locomotives, as well as stations and conductors.

The actual railroad isn’t the only thing that contributes to Whitehead’s novel’s ability to take a skewed view of United States history.

In South Carolina, white folks who are committed to “uplift” coexist among liberated people while harboring heinous hidden motivations.

Hoosier free Black people dwell in enclaves around Indiana, where they live in an uncomfortable state of reconciliation with their white neighbors.

The following are some of the most significant changes between the book and the program.

Caesar and Royal

Despite a few possibilities for love, Cora manages to stay out of romantic relationships in the story. Her experience of being (she believes) abandoned by her mother, as well as her general sense of captivity, appears to have left her unwilling to pursue romantic relationships. In the novel, Caesar, who begs Cora to accompany him on his voyage away from the plantation, thus beginning her adventure, is portrayed as a brother and comrade rather than as a lover. Cora’s roommates in the South Carolina dormitory taunt her about him, but he ends up with another lady instead of teasing her about him.

  1. While Cora is fleeing South Carolina when Ridgeway, the slave catcher, captures her and sends her back on the run, she is concerned about Caesar’s chance of arrest, reasoning that if she had “made him her lover,” they would at the very least be captured together.
  2. She had strayed from the road of life at some point in the past and was unable to find her way back to the family of people.” In the second episode of the sitcom, Cora falls in love with Caesar, who is played by Aaron Pierre.
  3. He approaches her and asks her to be his wife; she doesn’t say no.
  4. Besides Ridgeway, Cora has another love interest on the program in Royal, a freeborn man and railroad conductor who saves her from the latter and transports her to the Valentine winery in Indiana, where a group of free Black people live in community.

When he passes away, they are the memories she will hold onto, along with her recollections of Caesar on the dance floor with her friends.

Grace and Molly

Although Cora is presented with numerous opportunities for love throughout the novel, she chooses to stay away from romantic relationships. It appears that her experience of being (what she believes to be) abandoned by her mother, as well as her general sense of enslavement, has left her unable to pursue romantic relationships. Throughout the novel, Caesar is portrayed as a brother and comrade, rather than as a lover, who asks Cora to accompany him on his journey away from the plantation. Cora’s roommates in the South Carolina dormitory tease her about him, but he ends up with another woman instead of teasing her.

  1. When Ridgeway, the slave catcher, reaches South Carolina and sends Cora back on the run, she is concerned about Caesar’s risk of capture, reasoning that if she had “made him her lover,” they would at the very least be captured together if they hadn’t already been.
  2. After all, she had been abandoned.
  3. The fact that he is forced to have sex in front of the plantation owner is an added plot element that is not included in the book, and Cora is drawn to him by his beauty and sense of pride.
  4. While Cora is away, Caesar appears to her in visions and dreams throughout the rest of the series, both before and after Ridgeway taunts her with an embellished story about a lynch mob that murdered Caesar back home in South Carolina.

This is played by William Jackson Harper, who makes a welcome cameo in this film.) Even though the book’s Royal is attracted to Cora, and she believes the two will eventually become romantically involved, Royal passes away before Cora can act on her feelings for him: “Why had she put Royal off for so long?” Her belief was that they had sufficient time.” They kiss in the firelight during a scene where Royal and Cora are practicing shooting together.

These are the memories she will have when he passes away, along with her memories of Caesar on the dance floor.


Jenkins’ adaptation makes a significant change to the narrative of slave catcher Arnold Ridgeway, who is played on the show by Joel Edgerton. A blacksmith is meant to follow in his father’s shoes, but Ridgeway isn’t sure he wants to do it: “He couldn’t turn to the anvil since there was no way he could outshine his father’s brilliance,” the story says. After becoming a patroller at the age of 14 and performing duties such as stopping Black people for passes, raiding “slave villages,” and bringing any Black person who is “wayward” to jail after being flogged, his father is dissatisfied with his son’s performance because he has previously fought with the head patroller.

When Ridgeway’s father appears on the program, Jenkins adds to the character’s past by portraying him as one of the show’s only morally upright white males.

As a result, Ridgeway’s decision to go into slave-catching, which in the novel is portrayed as inevitable, becomes a personal revolt against his father’s ethical worldview.


Mabel’s abandoning of Cora serves as the tragic core of Whitehead’s novel. When Cora thinks about Mabel, she remembers her as a caring and present mother. So why would she abandon her daughter in slavery? In the novel, a sequence of rapes serves as the catalyst for the plot. As a slave to the white overseer (“the master’s eyes and ears over his own kind”), Moses coerces Mabel into having sexual relations with him by appealing to her mother instincts toward Cora, who is 8 years old at the time.

  1. Polly, Mabel’s best friend, is given a larger part in Mabel’s flight in Jenkins’ production.
  2. Polly is married to Moses, and their child is also stillborn; as a result, she is compelled to work as a wet nurse for a set of twins born to an enslaved woman on a neighboring plantation, which is situated in the South of the United States.
  3. It is revealed at the conclusion of both the novel and the show that Mabel is not living in Canada, happy and free while her daughter suffers.
  4. Mabel is arranging her getaway in Whitehead’s novel, bringing food, flint and tinder, and a machete with her, and departing before nightfall.
  5. The protagonist of both stories, Mabel, learns mid-flight that she must return to Cora’s side of the story.
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‘The Underground Railroad’ Book Ends With One Final Twist

The impact a book had on the world when it was first published is sometimes difficult to remember. Consider the sixth novel by Colson Whitehead, The Underground Railroad, as an example. Following its early release as an Oprah’s Book Club selection in September 2016, the best-selling novel went on to earn several accolades and prizes, including the National Book Award, the Carnegie Medal, and the Pulitzer Prize for fiction. Fortunately, Whitehead’s narrative will soon be available on Prime Video in the form of a limited series helmed by Barry Jenkins (Moonlight), which means it’s time to review how the Underground Railroadbook concludes.

An enslaved young lady who has grown up alone on the Randall plantation in Georgia ever since her mother, Mabel, abandoned her behind to make a dash for freedom, Cora is the focus of the novel The Underground Railroad, which is set in the American South during the antebellum period.

They escape with a third person, Cora’s companion Lovey, but are separated when Lovey is kidnapped by slavecatchers and delivered to the Randall brothers, who are presumed to be responsible for his abduction.

They are on their way to South Carolina, which has only recently abolished slavery in its traditional form as much of the South knows it, opting instead to declare all enslaved people to be property of the state government, which in exchange for their labor provides them with food, shelter, and medical care.

When the Randall brothers return to Georgia, they use the services of a slavecatcher named Ridgeway to track down Cora and Caesar and return them to the plantation.

As Cora and Caesar learn, the comforts and possibilities they have grown to cherish in South Carolina conceal a number of disturbing realities about their new home and state.

When combined with the fact that necessities sold in stores that cater to Black customers are several times more expensive than products sold in stores that cater to white customers, this wage disparity leaves many Black people in South Carolina with no choice but to go into debt in order to support themselves and their families.

  1. Cora accepts the position.
  2. She becomes concerned after witnessing a desperate woman from another dormitory interrupt a state-sponsored party for Black workers, yelling that her children are being taken away from her.
  3. A doctor explains that the state of South Carolina compels those ladies, as well as others like them, to be sterilized, and he encourages Cora to think about having herself sterilized.
  4. Ridgeway creeps down on Cora and Caesar just as they are about to depart South Carolina for good.
  5. She gets on the next train that comes through and ends herself in North Carolina, where things have recently become worse for African-Americans in general.
  6. The state, however, chose to sell the individuals it controlled to other slaveholding states instead of creating segregated areas for Black North Carolinians.
  7. In South Carolina, as Cora later discovers, public lynchings are routine, and the people who condone them employ the same rationale that South Carolinians used to justify medical experimentation: that white people must be protected from Black people.

Despite the fact that she expects to be able to leave on the next train, she quickly realizes that Martin has no intention of assisting her in her escape from North Carolina; he is too concerned about what might happen to his family if their night-rider neighbors find out that he is harboring a Black fugitive.

  1. Despite the family’s best attempts to keep Cora hidden from Fiona, the night riders are discovered by Martin and Ethel’s servant, Fiona.
  2. Cora learns that both Lovey and Caesar have met grisly ends while traveling through Tennessee with Ridgeway, who is on his way to Missouri to recapture another runaway.
  3. Cora and Ridgeway are on their way to Missouri to recapture another runaway.
  4. The Valentine farm, which is owned by a white-passing guy named John Valentine, is the home to scores of freeborn Black people as well as runaways like Cora.

Despite the fact that the local whites have come to live in relative harmony with their Black neighbors on the farm, some Valentine residents believe that runaways should not be allowed to remain on the property in order to protect the town’s freeborn citizens from retribution and to better manage the town’s limited resources and resources.

  1. A tragic event occurs just before the vote, during a formal debate to determine Valentine’s destiny.
  2. Ridgeway has taken Cora hostage once more.
  3. Despite the fact that most of the individuals Cora has asked about her mother, including Ridgeway himself, had claimed that Mabel must be living in Canada, a tiny chapter towards the end of the story shows that she was never able to leave the country.
  4. Immediately following this interlude, Ridgeway orders Cora to accompany him to the local Underground Railroad station, which Royal had previously showed her when they arrived in Valentine.
  5. The fact that this piece of the Railroad is incomplete means that Cora ultimately comes to an end of the line and must chisel the remaining portion of the tunnel out herself.

When Cora eventually makes it to the other side, she finds herself in an unfamiliar area where she meets Ollie, a Black guy who is on his way to California, and decides to join him on his wagon journey. The Underground Railroad is currently available to watch on Amazon Prime Video.

[SPOILER] Meets an Untimely Death in ‘The Underground Railroad’

The newest limited series to air on Amazon Prime Video The Underground Railroad is a film version of Colson Whitehead’s novel of the same name, which was published in 2016. It is an alternate history of enslaved people in the southeastern United States during the nineteenth century told through the experiences of two freedom seekers, Cora and Caesar, who attempt to flee from their Georgia plantation. It depicts the Underground Railroad as a real train system that runs underground, complete with hidden routes and safe homes, as depicted in the film.

It’s evident that the program is a difficult one, and many of the characters don’t have happy endings, yet it premiered in its entirety on the streaming site on May 14 to great reviews from fans.

Prime Video is the source of this video.

Who is Caesar in ‘The Underground Railroad’?

In The Underground Railroad, Caesar (Aaron Pierre) is a minor character who helps Cora to flee from the country’s prison system. Following the premiere of the series, people were quick to notice Aaron’s appealing features and expressed their admiration for his character via social media. However, while Caesar is well-liked by the audience, Cora has a more wary attitude toward him from the start. In that time, I believe Cora would seriously consider whether or not to flee the country with Caesar.

  • “That’s all she can see right now.
  • I’m looking for you.
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  • He has also made cameo appearances in television shows such asKrypton, in which he portrayed Dev-Em, and Britannia, The A Word, and Prime Suspect 1973, among other projects.

Does Caesar die in ‘The Underground Railroad’?

Due to popular demand, Pierre’s time on the program is unfortunately brief; his character is killed off at the conclusion of Episode 2 despite his popularity among viewers. ‘Chapter 2: South Carolina’ is the title of the episode, which follows Cora and Caesar as they make their way to the town of Griffin, South Carolina. Even though this is only supposed to be a temporary halt on their journey to freedom, the town’s atmosphere makes them ponder if they should remain longer. The rest of the article is below the advertisement.

For a brief while, they ponder remaining and assuming false identities — but it isn’t long before they learn that the white people in the town are exploiting the free Black people as test subjects for research.

Cora tries to get away from the duo at the last minute, but Ridgeway and Homer come into Caesar when he’s shaving in the dorms, and they apprehend him.

In the novel, Caesar suffers a similar end to that of Ridgeway and Homer in that he is slain upon his capture, except this time it is an enraged crowd who kills him. Prime Video has made all ten episodes of The Underground Railroad available for streaming.

On Whitehead’s The Underground Railroad

Cora’s life is divided into five distinct phases, which are shown in the Underground Railroad: 1. The way of life in Georgia When Cora’s mother, Mabel, abandons her, Cora is placed as a juvenile misfit among the slaves of the Randall farm, which she eventually escapes. When other slaves attempt to take over the small plot of land she has inherited from her mother (who in turn got it from Cora’s grandmother, Ajarry), she protects it tenaciously, even demolishing a doghouse that someone has built on it.

  1. Her fellow slave Caesar, who recognizes her strong sense of independence, invites her to accompany him on his escape.
  2. The two escape away in the middle of the night and are suddenly joined by a young girl named Lovey, who becomes their companion.
  3. Cora and Caesar finally make it to the home of Mr.
  4. Fletcher transports them to the home of Lumbly, the station agent, on his cart, which is wrapped with a blanket.
  5. 2.
  6. In order for them to be able to live quietly in South Carolina until another train arrives to transport them farther north, they are given counterfeit documents with phony names.
  7. She and Caesar let three trains to come and depart without getting on board them.

Cora is a young black woman who lives in a dormitory with other young black ladies.

Ridgeway, a slave catcher who has been on the trail of Cora and Caesar, comes to the dormitory where Cora is now residing.

Cora remains at the location, but neither Sam nor Caesar accompany her.


In North Carolina, the conductor informs her that he is not authorized to transport passengers and abandons her at what looks to be an abandoned train station.

In Martin’s opinion, Cora shouldn’t have come since the state of North Carolina is becoming increasingly unfriendly toward fugitive slaves and those who shelter them.

In order to protect herself, Cora hides in an attic for months, observing through a window each Friday while the town organizes a celebration to execute captured fugitives.

Ethel, who had a childhood desire of becoming a missionary in Africa, takes advantage of the chance to read from the Bible to Cora.

In the background, Cora witnesses Martin and Ethel being stoned to death by Ridgeway as she is being taken away by Ridgeway.

Journey across Tennessee While Ridgeway and his buddies (Homer and Boseman) might have taken Cora immediately back to Georgia, they decide to carry her to the state of Tennessee on their route to apprehend another fleeing slave.

When they pick up a slave called Jasper, they travel with him for a short period of time, but Ridgeway becomes frustrated by Jasper’s incessant singing and shoots him in the face.

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Cora establishes direct eye contact with a young black man called Royal in one of the towns where they stop.

When Ridgeway catches him in the act, he knocks him to the ground.

They kill Boseman and overpower Ridgeway and Homer, tying them to their own wagon and dragging them away.


Cora is hesitant to leave Valentine, just as she was hesitant to leave South Carolina, despite the fact that most fugitives only remain for a short period of time.

In the midst of his courtship, he transports her to an abandoned subterranean train station with a single track that is just wide enough for a handcar.

The Valentine community is becoming more polarized about whether or not escaped slaves should be allowed to remain in the area.

Meanwhile, a party of whites assaults the farm, murdering Royal and a number of other members of the community.

She leads them to an abandoned subterranean train station, from which she is able to escape by hurling herself and Ridgeway down the stairwell leading to the railroad track below.

She continues on the path till it comes to an end at a cave. A passing wagon offers her a ride: the driver is headed to Missouri and then to California, and she accepts the offer. Cora agrees to go on a ride.

‘The Underground Railroad’: The Four Biggest Changes From Book to Show

Every copy of the book is unique. The first guideline of any book-to-screen adaptation, whether it’s a biopic or a short story converted into a film or a television series, is to keep it simple. Characters are frequently mixed or omitted, and narrative is reduced or slowed down in order to meet the specific requirements of the other media. The Underground Railroad, Colson Whitehead’s sixth novel, is an unusually taut and devastating tale that follows the story of Cora, who quits slavery and a life picking cotton on the Randall plantation in order to embark on a treacherous voyage on the fabled namesake railroad.

  • Cora appears to be traveling through time and space as she journeys through the Carolinas, Tennessee, and Indiana, according to the plot.
  • At first glance, Barry Jenkins’ adaptation of The Underground Railroad is pretty similar to the original, with a few minor elements adjusted to make the proceedings more straightforward.
  • Overall, the play moves quickly through the first half of the book and drags in the second half, which is where the most of the story developments occur.
  • Here’s a rundown of the most significant changes.
  • You should read at your own risk!


Important expansions and additions to the character of Arnold Ridgeway (Joel Edgerton, and Fred Hechinger in a flashback episode), the ruthless slave catcher who follows Cora for the majority of the novel, are by far the most significant modifications to the book. His history takes up less than ten pages of Whitehead’s work, which is more than 300 pages long. However, Ridgeway’s early life is given its own episode (“The Great Spirit”) in the program, and a large portion of chapters four and six are devoted to him as well.

  • Despite the fact that Ridgeway is still fascinated with Cora due to the fact that her mother Mabel (Sheila Atim) escaped his grasp, he does not encounter Cora until he catches her in North Carolina.
  • He and his father had a huge falling out over Ridgeway’s future as a blacksmith, as well as his father’s attitude toward Black freedmen.
  • As a young man, he persuades Mack to leap into a well, causing him to become permanently disabled.
  • Ridgeway’s father had passed away long before Ridgeway captures Cora, and despite the fact that Ridgeway and his father are reported to differ on the subject of the Great Spirit, there is no interaction between the two men throughout the novel.
  • In the book, he asserts that runaways “barely possess the mental faculties of a dog.” The action that takes place with Mack following Ridgeway Senior’s death has no link to the events of the novel.
  • According to the plot of the program, Jasper progressively starves himself to death as Cora, Ridgeway, and his pals Boseman (Kraig Dane) and Homer (Chase Dillon) keep an eye on him.
  • In one sentence, the slave catcher gets inside the wagon for the first time since he picked up Cora.
  • He approached Jasper with Boseman’s revolver in his hand and shot him in the face.
  • Ridgeway wiped the sweat from his brow and explained his thinking.
  • It would be weeks before they were able to bring the man to his master, whether in Missouri, the back east, or Georgia.

For example, multiply $35 by three weeks (without Boseman’s portion), and the lost bonanza appears to be a relatively tiny price to pay for stillness and mental peace. Homer opened his notepad and double-checked the data provided by his supervisor. “He’s absolutely correct,” he said.

Grace, a.k.a. Fanny Briggs

Cora hides in a roof crawl space above Martin (Damon Herriman) and Ethel’s (Lily Rabe) attic in North Carolina, where she is discovered by Martin. In the book, she is alone on the mountain for seven months. The character Fanny Briggs is introduced in the episode when Cora falls into a cave and meets a girl named Grace, who becomes her friend (Mychal-Bella Bowman). When Cora is apprehended, we are kept in the dark about what will happen to her—but, finally, in the seventh episode, we learn that Fanny has managed to flee North Carolina and find her way to the underground railroad.

In Colson Whitehead’s Latest, the Underground Railroad Is More Than a Metaphor (Published 2016)

INTERNATIONAL UNDERGROUND TRAVEL RAILROAD Colson Whitehead contributed to this article. Doubleday Publishing Group, 306 pages, $26.95. Colson Whitehead’s novels are abrasive and disobedient creatures: Each one of them goes to considerable efforts to break free from the previous one, from its structure and language, as well as from its particular areas of interest and expertise. All of them, at the same time, have a similar desire to operate inside a recognizably popular cultural framework while also breaking established norms for the novel’s own ends.

  • His new work, “The Underground Railroad,” is as far far from the zombie story as it is possible to get.
  • Like its predecessors, it is meticulously constructed and breathtakingly bold; it is also dense, substantial, and significant in ways that are both expected and surprising.
  • In Whitehead’s novel, the underground railroad is not the hidden network of passages and safe homes used by fugitive slaves to get from their slaveholding states to the free North, as is often believed.
  • According to Whitehead, “two steel tracks ran the whole length of the tunnel, fastened into the ground by wooden crossties.” Whitehead also describes the tunnel’s interior.
  • Meet Cora, a teenage slave who works on a cotton farm in Georgia.
  • When she is contacted by another slave about the Underground Railroad, she is hesitant; nonetheless, life, in the form of rape and humiliation, provides her with the shove she requires to go forward.

“The Underground Railroad” is brave, yet it is never gratuitous in its portrayal of this.) After killing a white man in order to get her freedom, she finds herself hunted by a famed slave catcher named Ridgeway, who appears to be right out of Cormac McCarthy’s novel, and whose helper wears a necklace made of human ears to track her down.

  1. Every episode corresponds to a new stop on Cora’s trip, which takes her through the two Carolinas, then Tennessee, and finally Indiana.
  2. Sunny Shokrae for The New York Times provided the image.
  3. And as readers, we begin to identify little deviations from historical truth, points at which “The Underground Railroad” transforms into something far more intriguing than a historical book.
  4. Whitehead’s imagination, free of the constraints of intransigent facts, propels the novel to new locations in the history of slavery, or rather, to areas where it has something fresh to say about the institution.
  5. An evocative moment from Whitehead’s novel takes place in the Museum of Natural Wonders in Charleston, South Carolina, and serves as an illustration of the way Whitehead’s imagination works its magic on the characters.
  6. The museum has a part devoted to living history, which you may visit.
  7. “Scenes From Darkest Africa” is the name of one chamber, while “Life on the Slave Ship” is the name of another.
  8. The curator, adds Whitehead, “did acknowledge that spinning wheels were not commonly used outside,” but contends that “although authenticity was their watchword, the size of the chamber dictated certain concessions.” Whitehead’s article is available online.
  9. Nobody, on the other hand, wants to speak about the actual nature of the world.
  10. Certainly not the white monsters that were on the opposite side of the exhibit at the time, pressing their greasy snouts against the glass and snorting and hooting.
  11. “The Underground Railroad” is also a film on the several ways in which black history has been hijacked by white narrators far too frequently in the past.

When Cora recalls the chapters in the Bible that deal with slavery, she is quick to point the finger at those who wrote them down: “People always got things wrong,” she believes, “on design as much as by mistake.” Whitehead’s work is continually preoccupied with issues of narrative validity and authority, as well as with the various versions of the past that we carry about with us, throughout the novel.

In the course of my reading, I was often reminded of a specific passage from Gabriel Garcia Marquez’s “One Hundred Years of Solitude,” to which Whitehead seemed to have drawn a great deal of inspiration for his treatment of time.

One guy, though, is aware of what he seen — thousands of dead people moving toward the sea on a train — and wanders around looking for someone who could recall the events of the narrative.

‘The Underground Railroad’ is, in a sense, Whitehead’s own attempt to put things right, not by telling us what we already know, but by defending the ability of fiction to understand the reality around us.

It is a courageous and essential work in its investigation of the founding sins of the United States of America.

Amazon.com: The Underground Railroad (Pulitzer Prize Winner) (National Book Award Winner) (Oprah’s Book Club): A Novel: 9780385542364: Whitehead, Colson: Books

INTERNATIONAL UNDERGROUND ELEVATOR SYSTEM Colson Whitehead contributed to this report. The Doubleday paperback is 306 pages and costs $26.50. Books by Colson Whitehead are abrasive and disobedient: Each one of them goes to considerable efforts to break free from the previous one, from its structure and language, as well as from its particular areas of interest and fascination. At the same time, they all have one thing in common: the desire to operate inside a recognized tract of popular culture, taking use of traditions while undermining them in order to forward the novel’s goals.

  • While it has many of the characteristics of its predecessors, it is also more dense, substantial, and significant in ways that are both anticipated and surprising.
  • In Whitehead’s novel, the underground railroad is not the hidden network of passages and safe homes used by fugitive slaves to go from their slaveholding states to the free North, as it is in the novel.
  • According to Whitehead, “two steel rails ran the visible length of the tunnel, fastened to the soil by wooden crossties.” A stream of steel streamed south and north, apparently emanating from an unfathomable source and heading toward a miracle destination.
  • Come meet Cora, a teenage slave who works on a cotton farm in the southern state of Georgia.
  • In the face of another slave’s questioning about the underground railroad, she is hesitant; nonetheless, life, in the form of rape and humiliation, provides her with the shove she requires.
  • “The Underground Railroad” is brave, yet it is never gratuitous in its portrayal of the subject matter.
  • Cora’s perilous journey through hell is described in detail here.
  • Sunny Shokrae for The New York Times provided the image used here.
  • It doesn’t just inform us about what happened; it also teaches us about what may have occurred.
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Insofar as, as Milan Kundera argues in a magnificent essay, the job of the novel is to convey information that can only be conveyed through the novel, “The Underground Railroad” accomplishes this goal through subtle adjustments in perspective: A few feet to one side, and suddenly there are extraordinary skyscrapers on the ground of the American South, with a railroad running beneath them, and the novel is transporting us to a place we have never been before in our lives.

  • An evocative moment from Whitehead’s novel takes place in the Museum of Natural Wonders in Charleston, South Carolina, and serves as an illustration of the way Whitehead’s imagination works its magic.
  • The museum has a part devoted to living history, which may be found on the second floor.
  • It occurs to Cora that her role is to stand behind a glass and act out a scene from the slave experience, all the while having guests stare at her with deep interest from the other side of the window.
  • While Cora continues to perform her part (quietly and obediently) in the static scenarios, she begins to have doubts about their correctness and reliability.
  • Everyone didn’t want to hear what he was saying.
  • Truth was like a changeable display in a store window, altered by hands while you weren’t looking, tempting but always out of reach,” she says.
  • “People always got things wrong,” Cora believes, referring to the sections on slavery that are included in the Bible.
  • My reading was constantly reminded me of a specific passage from Gabriel Garcia Marquez’s “One Hundred Years of Solitude,” which Whitehead appears to have taken a lot of inspiration from in terms of his treatment of time.
  • One character, though, is aware of what he seen — thousands of dead people moving toward the sea on a train — and wanders around looking for someone who could recall the events of the novel.
  • ‘The Underground Railroad’ is, in a sense, Whitehead’s own attempt to put things right, not by telling us what we already know, but by defending the ability of fiction to understand the reality around it.

It is a daring and essential work in its examination of the founding faults of the United States.

The Underground Railroad Characters

Cora, the heroine of The Underground Railroad, is a perceptive, bright, and driven lady who has a strong sense of self. The book is mostly told from her point of view, as she flees her existence as a slave on a Georgia farm and travels on the Underground Railroad through various states until reaching freedom in the United States. She is abandoned by her mother, Mabel, when she is a small child, and she eventually wanders away. The caretaking of her mother’s garden plot provides Cora with peace, despite the fact that she has been demoted to the status of an outcast among her fellow slaves.

She works as a nanny to white children in the beginning, and then as a live model for historical displays at a museum later on.

Ridgeway finally apprehends her in that location, and the two of them journey through Tennessee together.

Later, the farm is destroyed by white settlers in an act of racist hatred, and Ridgeway is reunited with Cora.

When she decides to join a caravan headed to California, her narrative comes to an ambiguously positive conclusion.

He eventually finds himself in Georgia at the Randall farm.

Ajarry gives birth to five children, all of whom die, with the exception of one, Mabel, who lives to adulthood.

Her life has been characterized by slavery, and she dies as a result of an aneurysm while working in the cotton fields.

Mabel is the only one of Ajarry’s five children to live past the age of ten.

When she is fourteen, she falls in love with another slave, Grayson, who becomes the father of Cora and dies shortly after due to a disease.

She ultimately decides to return to the plantation since she sees that Cora requires her assistance.

Because no one has discovered her body, the other characters think she has successfully escaped.

Cesar was born as a slave on a tiny farm in Virginia, owned by a widow called Mrs.

The old woman has taught her slaves to read and write, and she has promised to release Caesar and his parents, Lily Jane and Jerome, if they do not rebel against her authority.

Garner’s death, with Caesar being sold to Randall Plantation.

He makes the decision to flee and persuades Cora to join him in his journey.

She is on the fence about his approaches, but Ridgeway discovers them before she has a chance to make up her decision about them.

Lovey is Cora’s best friend on the Randall plantation, and she enjoys dancing and celebrating the simple, modest pleasures of plantation life with her.

When Cora hears of Lovey’s fate at the conclusion of the story, she is horrified: she was impaled on a spike and her body was exhibited as a warning to other slaves on Randall after she was seized.

He attempts to take over Cora’s garden plot in order to provide a home for his dog.

Jockey, the Randall plantation’s oldest slave, is known for announcing the date of his birthday whenever he feels like it.

Chester is a small child on the Randall plantation who finds himself alone when both of his parents are sold.

A drop of wine unintentionally drips down Terrance Randall’s shirt, causing Terrance to lose his cool and get enraged.

He is one of Old Randall’s two sons, and after his father’s death, he and his brother James take over administration of the plantation together.

As a ruthless and despotic master, he subjected his slaves to brutal and inhumane punishments and humiliation.

In a brothel in New Orleans, near the climax of the tale, his heart gives out completely.

Slave feast days and infrequent festivities are permitted by the plantation’s owner, who is satisfied with the plantation’s consistent and reliable revenues.

Connolly, a nasty overseer on the Randall farm, was hired by the original Randall to do his dirty work.

He is a white guy who lives in Georgia and runs a station on the Underground Railroad, which he founded.

Eventually, Ridgeway is able to get a confession out of him.

Slave-catcher Ridgeway believes in the ideas of a violent, white nationalist America and is well-known and feared for his actions.

Ridgeway was unable to locate Mabel when she went away, and as a result, he becomes obsessed with locating and recapturing her daughter Cora.

Cora inflicts a fatal wound on him in the last pages of the story when she pushes him down the steps of the Underground Railroad station in Tennessee.

A necklace of ears that he received as prize in a wrestling battle from a Native American guy named Strong, and he is fearful of dangerous diseases because his siblings perished as a result of yellow fever.

When Royal and other Railroad agents rescue Cora from Ridgeway’s wagon in Tennessee, he is shot and murdered by the other agents.

He and Cora are shackled to the back of Ridgeway’s wagon as they journey through Tennessee on their way back to their lords’ estate.

Homer is a ten-year-old black child who pulls Ridgeway’s wagon and keeps track of his paperwork.

In Homer’s eyes, he is little more than a mystery; he wears a black suit and cap and appears unconcerned about the prejudice and brutality propagated by his employer.

He is also working at a whites-only tavern in the area.

When Ridgeway discovers Cora and Caesar in North Carolina, Sam’s house is completely destroyed by flames.

He intends to travel to California, which is located in the west.

In the end, Cora comes to the conclusion that Miss Lucy is most likely a member of the state’s policy of eugenics and forced sterilization, which is intended to keep the black population under control.

During his college years, he supported himself by working as a corpse snatcher, robbing people’s remains from their graves and reselling them on the black market for dissection and the study of anatomy.

Martin, a North Carolina station agent, conceals Cora in his house despite the fact that she is in danger.

Cora and Martin communicate frequently while she is hiding in Martin’s attic, and he provides her with almanacs to read.

Martin’s wife was born into a rich family in Virginia.

She hesitantly invites Cora into her house in North Carolina, fearing that she may be apprehended by the authorities.

Despite the fact that it is never explicitly mentioned, the narrative implies that Ethel is a lesbian.

Royal is a freeborn black guy who began working for the Underground Railroad in New York City when he was just a child of slave parents.

In Tennessee, while on a job for the Railroad, Royal and a small group of other agents are tasked with rescuing Cora from Ridgeway.

Cora is hesitant at first, but she ultimately opens up to Royal and he becomes the first person in her life who she genuinely loves and can confide in.

When Ridgeway and the white mob raid the Valentine farm, Royal is shot and dies in Cora’s arms as a result of the attack.

John is a white-passing person with pale complexion.

He bought her freedom, and they were married a short time later.

Indiana was the first state where maize was planted.

Cora is recuperating in this location following Royal’s rescue of her from Ridgeway.

Sybil and Molly, a mother and her ten-year-old daughter, are runaway slaves who have escaped from their masters.

The three of them are extremely close and affectionate with one another.

While still a slave, he hired himself out to his master on weekends in order to earn money, and eventually bought the freedom of his entire family with the money he earned.

Lander, a free black man, was born in Boston, Massachusetts, to a wealthy white lawyer and his black wife.

Following his education, he went on to become an orator for the abolitionist movement.

In the novel, he is the final person Cora encounters on her voyage, and he is a compassionate black guy who is traveling as part of a mixed-race caravan that is headed west.

Cora comes upon him when she escapes the Valentine farm in Indiana via the Underground Railroad and arrives in New York City. Cora accepts Ollie’s offer of food and a trip to St. Louis, and then on to California, and the tale comes to a close with her acceptance.

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